By John Goddard | Toronto Star
Kemer Yousef
|
TORONTO, CANADA – Kemer Yousef, who escaped Ethiopia on foot with nothing 24 years ago, has scored an unprecedented video hit with Nabek, a seven-track DVD showing him singing from a yacht in Toronto Harbour and dancing on the steps of Casa Loma. Clamour for his return has become so great that the central government [a political ploy by the hated dictatorial regime] is helping to arrange a six-concert homecoming tour that opens Dec. 7 at Ethiopia’s largest indoor venue – Addis Ababa’s 20,000-seat Millennium Hall.
For Kemer Yousef the tour in Ethiopia means seeing his family for the first time since he escaped across the desert to Somalia at the age of 20. His mother is in her 70s. His father is 103.
The tour also means singing to former enemies.
Kemer belongs to the Oromo ethnic majority, long oppressed by successive ruling minorities, who are now as swept up by the pop phenomenon as anybody else. [What a crock!]
|
VIDEO: One of Kemer Yousuf’s latest songs that have made him popular. Nice music, but poor video and terrible choreography
|
“Ethiopia has more than 70 ethnic groups and languages,” tour co-producer Bumiden Abdul Wahab explains by phone from the city of Adama [Nazareth]. “Normally people only listen to their own music, follow their own traditions. [Not necessarily true.]
“Kemer shook up the country,” he says. “He broke the barrier. Every time you turn on the radio – in whatever language – you hear his music.
“If you ask 10 people, at least nine have his CD.”
Kemer is a broad-shouldered man with a magnetic grin and a warm, tender way of expressing himself.
He grew up in an oral and singing culture in the village of Golu, near the town of Deder, in east-central Ethiopia. Villagers had enough to eat, he says. The famine regions lay elsewhere.
But throughout his childhood, the successive governments of Emperor HaileSelassie and Mengistu Haile Mariam relentlessly persecuted the Oromo. [The current dictator, Meles Zenawi, is the worst of all. He has turned Ethiopia a large prison camp for Oromos, according to his own former defense minister. Kemer owes his fans to point out this tragic fact.]
“You cannot even call yourself Oromo,” Kemer says of the HaileSelassie period. “If you dress as Oromo, if you write Oromo language, you will be killed.” [This is a lie. HaileSelassie was not like that.]
Of the Mengistu period, he says: “I remember one night when they came and took my uncle and for no reason they shot him in front of the door. [The Meles dictatorship is committing genocide in some parts of the country. Why do you leave that out?]
“You cannot even grieve and not even scream,” Kemer says.
“If you scream, if you cry, they will kill you. Then they ask (your family) to pay for the bullet you get killed with.”
In 1984, Golu’s elders pooled their resources to help their young people escape. Thousands of people mobilized and with dozens of classmates Kemer caught a ride east to the rallying point of Jijiga.
He joined a camel caravan of about 200 people on a three-day march to the border. Most died on the way. Snakes killed some. Bandits killed many others, stole their animals, and raped and abducted many of the women, leaving 37 survivors.
In 1987, after much suffering, Kemer made it to Toronto. He now lives in the St. Lawrence Market neighbourhood.
“I have a song in my language,” he recalled several years ago on CBC Radio’s Global Village.
“I say, ‘Thank you, Canada, for wiping my tears, for listening to my cry, for reaching for me with a long hand, far away in Africa, and giving me this opportunity to be a human being, to be somebody, to sing again for others.'”
Throughout the hard times, music remained important to Kemer. In refugee camps, he made up songs about refugee life. At a transient center in Rome, he sang as he mopped floors.
In Toronto, after learning English and taking an electronics course, he assembled a band from musicians he met mostly in subway stations.
In 1993, he found a role model. Ali Birra, the only Ethiopian Oromo star of the 1960s and 1970s, moved to Toronto.
“Ali Birra is a reference singer for all Oromo people,” says French musicologist Francis Falceto, the brains behind Ethiopiques, a hit world-music CD series mining the best of that golden era.
“I didn’t give Kemer much help, really,” Birra says at home in Pickering, where he now lives.
“He’s a very good learner. He watches. He picks things up and improves them.”
Kemer developed a niche, playing Oromo political and social events in Atlanta, Denver, Seattle, Minneapolis, Dallas and Washington, D.C. He played in Australia and travelled to Amsterdam, Oslo, Frankfurt and Rome. He married an Oromo woman he met in Munich.
He constantly innovated. Instead of standing still like most Ethiopian singers, he danced and ran. To enhance melodies, he mixed pentatonic and diatonic scales – “like Kenny G,” he says.
For the homecoming tour, he trained three Caucasian Toronto female dancers – Jennifer Dallas, Elisha MacMillan and Yaelle Wittes – to dance Oromo-style and sing backup lines.
“People are so excited,” he says. “They want to see how Canadian girls can dance Shaggoyyee, Ragada, Gattumi and Skista.”
In 1997, Kemer’s brother Redwan escaped to Kenya. Kemer got him to Canada. Within weeks Redwan landed a job in a variety store at Weston Rd. and Lawrence Ave., and on his first day at the cash register two thieves walked in and shot him in the back. He survived but remains traumatized.
“The bullet followed me from Africa,” Kemer says fatalistically.
About five years ago, Ethiopian Prime Minister dictator Meles Zenawi opened a dialogue with expatriate Oromo communities in Europe and North America. [This is a lie. Within the past 3 weeks alone, over 94 politicians and journalists from the Oromo ethnic group were rounded up and thrown in jail by the Meles regime.]
“The system changed, the people changed, I changed,” Kemer says of his broader themes in recent years of love between men and women, love for humankind, and love for Ethiopian village life. [The system changed?]
The changes brought a new infectiousness and universality to his songs, and opened him to the new, mass audience.
John Goddard is accompanying Kemer Yousef on his homecoming tour to Ethiopia. Follow their journey in the Star’s Entertainment section.
EDITOR’S NOTE: This is a good propaganda piece for the Woyanne dictatorship by the Toronto Star reporter John Goddard. It is Shame on Kemer for allowing himself to play into that. He didn’t have to praise the blood thirsty Woyanne junta in order for him to go to Ethiopia and sing. The things he said about Atse HaileSelassie is far from the truth. HaileSelassie had many weaknesses, but being racist was not one of them. The fact that Kemer fails to point out any of the injustices that are being committed by the current tribal junta in Ethiopia tells a lot about him — that he has sold his soul to the Woyanne murderous thugs.